Shame that the reviewer had to leave early 'because of deadline pressures'. I would prefer a more comprehensive report, later.
Domingo rises above Alamodome restraints
The most memorable moments of this concert were not strictly vocal, however, but theatrical the conviction Domingo brought to the prayer O, Souverain from Massenet's Le Cid, the intensity and desolation in Federico's Lament from Cilea's L'Arlesiana.
Domingo reached his expressive pinnacle in the love duet from Act I of Verdi's Otello. With his wide palette of vocal colorations, along with astute phrasing and rhythm, Domingo created a fully fleshed character imperious but tormented, strong but insecure.
I've also found more photos from Sunday.
